EVERYONE WAS TERRIBLY EMBARRASSED

TADAS ČERNIAUSKAS, ARTIST, PHOTOGRAPHER

EVERYONE WAS TERRIBLY EMBARRASSED

TADAS ČERNIAUSKAS, ARTIST, PHOTOGRAPHER

When I was 12-13 years old, I was an exemplary student, class leader, the coolest schoolkid around; I knew many students, and I got along well with the teachers. Everything was going smoothly until I joined a bad company; we went shoplifting and stealing shampoos. I didn’t need them, but I didn’t want to look a sissy and I tried to win their respect. At some point I just started stealing from people. I no longer needed partners in crime. One day, I was caught after stealing from school. It came as a shock to everyone, as the coolest kid turned out to be a thief. Instead of asking why I was doing it, I was publicly shamed in front of the entire school community: “Look at the thief standing before your eyes.” The whole school and family turned away from me. Everyone was terribly embarrassed. One day I was the best student, the next day everyone was pointing fingers at me at school and no one was speaking to me at home. I lost everything I had.

That’s probably how it started: My dreadful fear of making mistakes, perfectionism and an exaggerated desire to control everything. I was driven crazy by the fear that something would happen and I would fail. Fear interfered with my work to the point that I started loathing it. From the outside, it might have appeared that I was successful – the whole world was opening before me. For five years I travelled around the world with my exhibitions, but I hated those trips, I constantly felt bad, I was in constant tension, I suffered from psychosomatic pains. I felt that everything depended on me alone and that if I didn’t do what was expected of me, everything would fall apart. I thought I would be written off and no one would want me anymore if I made one mistake.

In the last few years, that archetype that I made up finally collapsed. It affected my work profoundly. I started making things that are appealing to me and I feel less need to please the audience. It made me more courageous as a creator.


Tadas Černiauskas, a professional architect, initially pursued a career in that field before transitioning to photography and later on to visual arts. Despite being self-taught in these fields, he quickly gained recognition and his name started appearing in major media outlets and annotations of prestigious international galleries. In recent years, however, the artist has abandoned intensive travel and can be found closer to home, beside a camper on the beach or in the countryside making a campfire with his children.

Interview by Urtė Karalaitė

Translation by Emilija Ferdmanaitė

Tadas Černiauskas’ work I am No Body

 

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